William Faulkner’s The Sound and the Fury Essay -- Faulkner Sound Fury

William Faulkners The Sound and the FuryIn William Faulkners The Sound and the Fury, the image of meeting house is used repeatedly to reflect Quentins preoccupation with Caddys sexuality. Throughout the Quentin section of Faulkners work, the image of honeysuckle arises in conjunction with the mischief of Caddys virginity and Quentins anxiety over this loss. The particular construction of this image is unique and important to the work in that Quentin himself understands that the honeysuckle is a symbolism for Caddys sexuality. The stream of consciousness technique, with its attempt at rendering the complex flow of human consciousness, is used by Faulkner to realistically show how symbols argon imposed upon the mind when experiences and sense perceptions coalesce. Working with this modernist technique, Faulkner is able to examine the creation function of symbols in human consciousness.The occurrences of honeysuckle in the Quentin section suggest that Quentin came to mickle this plant as a symbol for Caddys sexuality involuntarily. When Quentin attempts to convince his father that he was the one who impregnated Caddy, he connects honeysuckle with his sisters loss of virginity I fooled you all the time I was in the house where that damn honeysuckle trying not to think the swing the cedars the secret surges the existing locked drinking the wild breath the yes Yes Yes yes (94). In Quentins memory of the night Caddy lost her virginity, he recalls honeysuckle as a significant section of the event. In addition, he is hostile towards the plants and its meaning, which can be seen in his damning of it. This connection to the sexual act and the hostility, which is ascribed to it, suggests the internal conflict in his anger... ... of our deepest memories, rather they atomic number 18 active forces in our life, capable of controlling the mind of the individual. Works CitedBauer, Margaret D. Southern Literary Journal. I Have Sinned in That I Have Betrayed t he Innocent Blood Quentins perception of His Guilt. 2000 32.2 70-90.Bockting, Ineke. Style. The impossible world of the schizophrenic William Faulkners Quentin Compson. 199024.3 484-498.Kartiganer, Donald M. The Meaning of Form in The Sound and the Fury. The Sound and the Fury. Ed. David Minter. mod York W.W. Norton and Company, 1994. 333. Vickery, Olga W. The Sound and the Fury A Study in Perspectives. The Sound and the Fury. Ed. David Minter. New York W.W. Norton and Company, 1994. 285. Zender, Karl F. American Literature. Faulkner and the Politics of Incest. 1998 70.4 739-766.